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Recitative and aria for soprano and orchestra: Metastasio L'Olimpiade III,6: 24 February 1778 316: 300b "Popoli di Tessaglia! ... Io non chiedo, eterni Dei" (Score/Crit. report) Recitative and aria for soprano and orchestra: Ranieri de' Calzabigi Alceste I,2: 8 January 1779 365a "Zittre, töricht Herz" Aria for soprano and orchestra (lost)
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
Pages in category "Soprano arias" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes. A. Adele's Laughing Song;
Written in B minor, it is one of the most famous opera arias.The vocal range extends from F ♯ 3 to A 4.The aria is considered part of the spinto tenor repertoire. [1]The aria is introduced by a somber clarinet solo.
Carmen: Duets & Arias is an album released in 2010 by Italian tenor, Andrea Bocelli. [2] The album is a collection of arias of Georges Bizet's opera Carmen, including duets with Welsh bass-baritone, Bryn Terfel, Russian mezzo-soprano Marina Domashenko, and Italian soprano Eva Mei, from the French opéra comique.
Julianne Baird (born December 10, 1952) is an American soubrette and early music soprano. She has appeared with the New York Philharmonic, Cleveland Symphony, San Francisco Symphony, St. Paul Chamber Orchestra, Theatre de la Monnaie, Bach Festival Leipzig amongst many.
The soprano clef for the singer indicates a soprano voice for all arias. They are in different keys , and all of them are da capo arias. The fourth aria, that is " Bist du bei mir ", is in E-flat major (although notated with only two flats at the clef), and has the most extended instrumentation: first violin (vl1), second violin (vl2), viola ...
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
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