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Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago's plot against Othello in the hopeless belief that Iago will aid him in courting Othello's wife Desdemona. In the later acts, Iago recruits Roderigo to assassinate Othello's former lieutenant Michael Cassio , though he is killed by Iago when he fails in his attempt to ...
Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo , who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Michael Cassio, or simply Cassio (/ ˈ k æ s i oʊ /), is a fictional character in William Shakespeare's Othello.The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader".
Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text. Othello public domain audiobook at LibriVox Cultural references to Othello at the Internet Broadway Database – lists numerous productions. Othello study guide, themes, quotes, multimedia, and teacher resources
Making the beast with two backs is a euphemistic metaphor for two persons engaged in sexual intercourse.It refers to the situation in which a couple—in the missionary position, on their sides, kneeling, or standing—cling to each other as if a single creature, with their backs to the outside.
Otello and Iago talking in the hall as a herald enters. The Act 3 set at the 1887 premiere in Milan. Illustration by Ed. Ximenes after the original stage design by Carlo Ferrario. A herald brings news of the approach of ambassadors from Venice. Iago explains to Otello that he will lure Cassio here and talk with him while Otello watches, hidden.