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"Clair de lune" (Fauré), setting of the Paul Verlaine poem by Fauré, from his Two Songs, Op. 46 (1887) Clairs de lune, a set of four piano pieces, each titled "Claire de Lune", by Abel Decaux (1907) Piano Sonata No. 14 (Beethoven), Op. 27, No. 2 (1801), the "Moonlight" piano sonata by Beethoven, known in French as Sonate au Clair de lune
[1] [2] In its orchestral form the song was included in Fauré's incidental music Masques et bergamasques in 1919. [1] The original published version (Hamelle, Paris, 1888) is in B-flat minor. The song is dedicated to Fauré's friend the painter Emmanuel Jadin, who was a talented amateur pianist.
Piano Sonata No. 21 in B-flat major, D. 960 8 Bach, JS The Well-Tempered Clavier: 7 Allen Chopsticks: 6 Schubert Impromptu No. 3 in G-flat major, D. 899/Op. 90 5 Beethoven Piano Sonata No. 8 in C minor, Op. 13, Pathétique: 4 Satie Gymnopédie No.1 3 Debussy "Clair de lune" from Suite bergamasque: 2 Bach, JS Goldberg Variations: 1 Beethoven
Suite bergamasque (L. 75) (French pronunciation: [sɥit bɛʁɡamask]) is a piano suite by Claude Debussy.He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. [1]
By the 1920s a range of Fauré's more popular songs were on record, including "Après un rêve" sung by Olga Haley, [147] and "Automne" and "Clair de lune" sung by Ninon Vallin. [148] In the 1930s better-known performers recorded Fauré pieces, including Georges Thill ("En prière"), [ 149 ] and Jacques Thibaud and Alfred Cortot (Violin Sonata ...
Clair de Lune. Music by Claude Debussy; Performed by Larry Adler on harmonica; Also performed by José Iturbi on piano; Antonín Dvořák's Symphony No. 9 in E minor, 4th movement, conducted by José Iturbi; Piano Concerto in A Minor. Music by Edvard Grieg; Performed by José Iturbi; The March of the Toys. from Babes in Toyland; Music by Victor ...
Clair de lune" (French for "Moonlight") is a poem written by French poet Paul Verlaine in 1869. It is the inspiration for the third and most famous movement of Claude Debussy's 1890 Suite bergamasque. Debussy also made two settings of the poem for voice and piano accompaniment.
En sourdine" and "Clair de lune" are almost completely rewritten. The musicologist Roger Nichols writes that they display "a far more adventurous harmonic palette" than the composer had developed at the time of the first settings, "blending modality and chromaticism in equal measure".
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