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Otokonoko (男の娘, "male daughter" or "male girl", also pronounced as otoko no musume) is a Japanese term for men who have a culturally feminine gender expression. [1] [2] This includes, among others, males with feminine appearances, or those cross-dressing.
A dominant woman and a submissive man practicing feminization. Feminization or feminisation, sometimes forced feminization (shortened to forcefem or forced femme), [1] [2] and also known as sissification, [3] is a practice in dominance and submission or kink subcultures, involving reversal of gender roles and making a submissive male take on a feminine role, which includes cross-dressing.
Petticoating or pinaforing is a type of forced feminization that involves dressing a man or boy in girls' clothing as a form of humiliation or punishment, or as a fetish. While the practice has come to be a rare, socially unacceptable form of humiliating punishment, it has risen up as both a subgenre of erotic literature or other expression of ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 February 2025. Dressing and acting in a style or manner traditionally associated with a different gender Not to be confused with Travesti (gender identity), Transgender, or Transvestic fetishism. Cross-dressing History of cross-dressing In wartime History of drag Rebecca Riots Casa Susanna Pantomime ...
Cross-dressing is the act of wearing clothes traditionally or stereotypically associated with a different gender. [2] From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and express oneself. [3] Socialization establishes social norms among the people of a particular society.
This association between the two furthered the perception of cross-dressing as a perversion, and the law was effectively "one of the city's very first "good morals and decency" laws". [35] Throughout time, anti-cross-dressing laws became difficult to apply, as the definitions of feminine and masculine presentation grew more obscure.
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Stella and Fanny (back right, holding mallets), dressed in character for the drawing-room entertainments they toured to small country houses and market-town assembly rooms [35] There is no record of when Boulton and Park first met, but the two became close friends, with a joint love of the stage and of cross-dressing.