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The detachment of wall paintings involves the removal of a wall painting from the structure of which it formed part. While detachment was once a common practice, the preservation of art in situ is now preferred, and detachment is now largely restricted to cases where the only alternative is total loss. [1]
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
Frescos, like most works of cultural heritage, have specific climate parameters for preservation. Humidity and water damage cause mold to develop. The mold aspergillus versicolor can grow on frescos and consume nutrients effectively causing pigment discoloration and wall detachment from rot. [35]
The Villa of P. Fannius Synistor at Boscoreale was excavated in 1900 and many of the frescoes were stripped from the walls and auctioned off. One of the more notable conservation and restoration projects has taken place at the Metropolitan Museum of Art in New York, NY, where they have restored and installed the paintings (2002-2007) from the Villa's cubiculum, or bedroom, for the new Greek ...
The French Army's removal of murals and frescoes was related to French conservators' tradition of transferring paintings onto new supports. They saw the detachment of wall paintings as no different than moving a wooden altarpiece from its place. [10] Some of the radical treatments were difficult to execute successfully.
A giant of early 20th century art, whose glamorous figurative paintings of women played an important role in defining Art Deco, is now the subject of her first-ever U.S. retrospective, currently ...
The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues , resin , and gesso ), and an image layer ( encaustic , tempera , oil ). [ 1 ]
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