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Before the Impressionists held their first exhibitions in the 1870s, conventional academic art ranked landscape painting lower than history, portraiture, and genre painting. [22] " Despite his attachment to Le Cœur and Marlotte, and to Monet and Sisley", writes art historian Colin B. Bailey , "landscape painting was a secondary endeavor for him."
Brise-soleil can comprise a variety of permanent sun-shading structures, ranging from the simple patterned concrete walls popularized by Le Corbusier in the Palace of Assembly [3] to the elaborate wing-like mechanism devised by Santiago Calatrava for the Milwaukee Art Museum [4] or the mechanical, pattern-creating devices of the Institut du Monde Arabe by Jean Nouvel.
A shade sail − or somewhat more precise a textile sunshade sail or a textile sun protection sail − is a device to create outdoor shade based on the textile basic technology that can be found in a ship's sail. [1] Shade sails use a flexible membrane tensioned between several anchor points. While generally installed permanently, they are ...
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There are several variants of car sun shade types. Typically, sun shields are made of a layer of mylar or aluminum foil which covers the inside of the car's windows, to reflect the sun's rays away, and preventing the interior from being exposed to those rays. There are sunshades specifically designed to fit the inside of the front windshield of ...
An attached sunspace, also sometimes called a solar room or solarium, is a type of isolated gain solar system with a glazed interior space or room that is part of or attached to a building but which can be completely closed off from the main occupied areas. It functions like an attached greenhouse that makes use of a combination of direct-gain ...
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This moves the mixed color toward a neutral color—a gray or near-black. Lights are made brighter or dimmer by adjusting their brightness, i.e., energy level; in painting, lightness is adjusted through mixture with white, black, or a color's complement. The Color Triangle depicting tint, shade, and tone was proposed in 1937 by Faber Birren. [4]
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