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Independent, unique sound library with royalty free & free sound effects - for video, sound design, music productions and more. CC0, CC BY Gfx Sounds: Yes Yes Sound library for professional and free sound effects downloads. CC0, CC BY Free To Use Sounds: Yes Yes Sound effects library with hiqh quality field recordings from all around the world.
In 1970, Ten Years After released "Love Like a Man", the group's only hit in the UK Singles Chart, where it peaked at #10. [2] It was the first record issued with a different playing speed on each side: a three-minute edit at 45 rpm , and a nearly eight-minute live version at 33 rpm .
Sound Ideas is a Canadian audio company and the archive of one of the largest commercially available sound effects libraries in the world. [2] [3] It has accumulated the sound effects, which it releases in collections by download or on CD and hard drive, through acquisition, exclusive arrangement with movie studios, [4] and in-house production.
Billy Walker gave the album a generally positive review in Sounds.He noted the atypically soft sound of songs such as "Over the Hill" and "Let the Sky Fall" and approved of this "unexpected but pleasing dimension to the overall feel of the album", while simultaneously praising "the old TYA excitement" of tracks such as "I'd Love to Change the World" and "Baby Won't You Let Me Rock 'n' Roll You".
The Day Before You Came - 05:10 Benny Andersson - writing; Björn Ulvaeus - writing; Anne Sofie von Otter - vocals; Georg Wadenius - guitars; Fleshquartet - arrangements, strings & percussion; 2. I Let The Music Speak - 05:00 Benny Andersson - writing; Björn Ulvaeus - writing; Anne Sofie von Otter - vocals; Georg Wadenius - guitar ...
Rosa was adopted by the Monterey Bay Aquarium in 1999 and served as surrogate mother for a record 15 otters. She outlived the life expectancy for wild southern sea otters.
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]
Publications which emerged from the project include The Book of Noise (1968) [2] and The Tuning of the World (1977), [3] both by Schafer, as well as the Handbook for Acoustic Ecology (1978) [4] by Barry Truax. The project has thus far resulted in two major tours, in Canada and Europe, the results of which comprise the World Soundscape Library.
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