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The Last Judgment at the end of the chapel Charon and his boat of damned souls. The Last Judgment was a traditional subject for large church frescos, but it was unusual to place it at the east end, over the altar. The traditional position was on the west wall, over the main doors at the back of a church, so that the congregation took this ...
The Last Judgement is a triptych of oil paintings by the British artist John Martin, created in 1851–1853.The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation.
The Last Judgment in the Cattedrale di Santa Maria del Fiore, in Florence, Italy is a fresco painting which was begun by the Italian Renaissance master Giorgio Vasari in 1572 and completed after his death by Federico Zuccari, in 1579.
The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]
The Last Judgement (Martin paintings) Last Judgement (Fra Bartolomeo) Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich)
The painting was engraved in 1854 (after Martin's death) by Thomas McLean, together with two other paintings by Martin, Plains of Heaven and The Last Judgment (a group of three 'judgment pictures' [10]). [7] Despite wide public reception, the three paintings were rejected as vulgar by the Royal Academy. [14]
A "Doom painting" or "Doom" is a traditional English term for a wall-painting of the Last Judgement in a medieval church. This is the moment in Christian eschatology when Christ judges souls to send them to either Heaven or Hell .
Last Judgement (German: Weltgericht) is a c. 1435 tempera-on-oak polyptych by the German artist Stefan Lochner, probably commissioned for the council chamber of City Hall of Cologne, but now broken apart. [1]