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The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature , the classical Tamil literature of the early common era , were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu .
The Sangam age grammatical work Tolkappiyam mentions the various music pertaining to the five landscapes (thinai) of the Sangam literature.The five landscapes are associated with a particular mood of the poem and to give colour to these moods, each had a musical mood (), a melodic instrument and a percussion instrument (parai).
In the post-Sangam period, between the third and the fifth centuries CE, Tamil music evolved to a higher sophistication. Cilappatikāram, written around the fifth century CE, describes music based on logical, systematic and scientific calculations in the arrangements of the dancers on the stage to represent the notes and panns.
Sandham: Symphony Meets Classical Tamil is a studio album in Tamil by American Composer Rajan Somasundaram that involved various international artists. It is based on Sangam period ancient Tamil poetry and the first ever music album on Sangam poetry. The Hindu music review called the album "A Major Event in the World of Music". [1]
The majority of the songs are sung to Murugan, but there are also a few songs that sing of deeds of Shiva or the avatars of Vishnu, and of the power of Parvati. Almost all songs end addressing Murugan as Perumal, a term that traditionally had strong associations with Tamil Vaishnavism. However the literal meaning in Tamil of the word Perumal is ...
Tamil literature is even available in the form of e-books. Tamil literature boasts a rich tradition of novel writing, with many talented authors contributing to the literary landscape. Some prominent Tamil writers include: Kalki Krishnamurthy (1899–1954) S. Ramakrishnan (1937–) Jayakanthan (1934–2015) Akilan (1922–1988) R. K. Narayan ...
Sivaraja Pillay, a 20th-century historian, while constructing the genealogy of ancient Tamil kings from Sangam literature, insists that the Sangam poems show no similarities with ancient Puranic literature and medieval Tamil literature, both of which contain, according to him, fanciful myths and impossible legends.
The epic comprises 3,615 rhymed quatrains in Tamil with 90 variations, and M. Dominic Raj has translated it into English in unrhymed quatrains of free verse following the ‘Sprung Rhythm’ style of Hopkins.