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The Sonatina in F major is a composition for solo piano in two movements, attributed to Ludwig van Beethoven (listed as Anh. 5 No. 2 in the Kinsky–Halm Catalogue), though doubtful. Structure [ edit ]
Ludwig van Beethoven's Piano Sonata No. 7 in D major, Op. 10, No. 3, was dedicated to the Countess Anne Margarete von Browne, and written in 1798. This makes it contemporary with his three Op. 9 string trios , his three Op. 12 violin sonatas, and the violin and orchestra romance that became his Op. 50 when later published.
Étude Op. 10, No. 6, in E ♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was preceded by the relative key. It was first published in 1833 in France, [ 1 ] Germany, [ 2 ] and England [ 3 ] as the sixth piece of his Études, Op. 10 .
The closing movement is a headlong rondo.The middle section recalls the opening motto from the first movement, albeit with the first note missing. [2] In the extremely virtuosic coda, the motto, transformed and abbreviated, is hammered out violently amid swirls of harried notes, and then played in full in rapid, stammering descending chords.
The recurring main theme is used as a device to unify the four movements of the symphony. This motto theme, sometimes dubbed "Fate theme", [2] has a funereal character in the first movement, but gradually transforms into a triumphant march, which dominates the final movement. A typical performance of the symphony lasts somewhat less than 50 ...
The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German: Pastorale [1]), is a symphony composed by Ludwig van Beethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, [2] the symphony was first performed alongside his fifth symphony in the Theater an der Wien on 22 December 1808 in a four-hour concert.
"Against All Odds (Take a Look at Me Now)" (also titled "Against All Odds") is a song by English drummer, singer and songwriter Phil Collins. It was recorded for the soundtrack to the 1984 film of the same name .
The theory of the least objectionable program (LOP) is a mediological theory explaining television audience behavior. [1] It was developed in the 1960s by then executive of audience measurement at NBC , Paul L. Klein , [ 2 ] [ 3 ] who was greatly influenced by the media theorist Marshall McLuhan 's Understanding Media .