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Tamil legends say that the sixty verses that form the core of the Iraiyanar Akapporul were discovered beneath the altar of Chokkanathar in Madurai. Iraiyaṉār Akapporuḷ, or Kaḷaviyal eṉṟa Iraiyaṉār Akapporuḷ, literally "Iraiyanar's treatise on the love-theme, called 'The study of stolen love '" (Tamil: களவியல் என்ற இறையனார் ...
The Book of Inbam talks about the emotions gone through by a man and a woman when they fall in love with each other. [2] [20] It covers the emotions of love both in the pre-marital and the post-marital states. [21] [22] With 25 chapters, the Book of Inbam is the smallest of the three books of the Kural text.
De Groot maintains that Rumi’s philosophy of the oneness of love explains why Rumi signed about a third of the Divan under Shams-i Tabrizi’s name; By writing as if he and Shams were the same person, Rumi repudiated the longing that plagued him after Shams’ disappearance in favour of the unity of all beings found in divine love. [29]
Pyre (Tamil: பூக்குழி, romanized: Pūkkuḻi, lit. 'flower pot') is a novel by Perumal Murugan that describes a love story within social caste-induced hatred . [ 1 ] It was originally published in Tamil in 2013 and subsequently translated into English by Aniruddhan Vasudevan in 2016. [ 2 ]
The epic is a tragic love story of an ordinary couple, Kaṇṇaki and her husband Kōvalaṉ. [6] [7] The Cilappatikāram has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the Naṟṟiṇai and later texts such as the Kovalam Katai.
The Principles of the Religion of Love in Classical Persian Poetry [20] [21] Hossein Elahi Ghomshei. The Symphony of Rumi. In the Philosophy of Ecstasy: Rumi and the Sufi Tradition. 2014. [22] Hossein Elahi Ghomshei. Hafez & the Divine Covenant [23] Hossein Elahi Ghomshei. Of Scent and Sweetness: Attar's Legacy in Rumi, Shabestari and Hafez [24]
The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of relationship ...
For his part, Rumi, in his writings, developed the concept of love as a direct manifestation of the will of God, in part as a calculated response to objections coming from the orthodox wing of Islam: "Not a single lover would seek union if the beloved were not seeking it". [7] The concepts of unity and oneness of mankind also appear in Rumi's ...