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Militaria and paraphernalia from Nazi Germany for sale as memorabilia and collectibles in Amsterdam, the Netherlands in 1964. Today internationally based private collectors and traders more often are handling artifacts with a troubled past online. Photo: Jack de Nijs / Anefo
Wilhelm Peter Bruno Lohse (17 September 1911 – 19 March 2007) was a German art dealer and SS-Hauptsturmführer who, during World War II, became the chief art looter in Paris for Hermann Göring, helping the Nazi leader amass a vast collection of plundered artworks. During the war, Göring boasted that he owned the largest private art ...
During World War II Göring enriched himself on a large scale with art obtained from Jewish art collectors who were plundered and either fled or were deported to their deaths in Nazi camps. At the end of the war, Göring's personal collection included 1,375 paintings, many sculptures, carpets, furniture and other artifacts.
Allach was a sub-camp of Dachau near Munich, located approximately 16 km from the main camp at Dachau. According to Marcus J. Smith, who wrote "Dachau: The Harrowing of Hell," the Allach camp was divided into two enclosures, one for 3,000 Jewish inmates and the other for 6,000 non-Jewish prisoners.
Books and price guides have been published about Hummel figurines. [15] Some of these works supported the secondary market interest of collector speculators; The Official M.I. Hummel Price Guide: Figurines and Plates, 2nd Edition, by Heidi Ann Von Recklinghausen is a current price guide, published in 2013.
The following is a general overview of the Heer main uniforms, used by the German Army prior to and during World War II. Terms such as M40 and M43 were never designated by the Wehrmacht , but are names given to the different versions of the Model 1936 field tunic by modern collectors, to discern between variations, as the M36 was steadily ...
The Kaiseroda salt mine complex near Merkers stored over 400 million Reichsmarks worth of Nazi gold (equivalent to 2 billion 2021 €), [5] thousands of crates of artworks that had been transferred from the Berlin State Museums for safekeeping, [6] and many stolen works of art.
Jean Metzinger, 1913, En Canot (Im Boot), oil on canvas, 146 cm × 114 cm (57 in × 45 in), exhibited at Moderni Umeni, S.V.U. Mánes, Prague, 1914, acquired in 1916 by Georg Muche at the Galerie Der Sturm, confiscated by the Nazis c. 1936, displayed at the Degenerate Art show in Munich, and missing ever since Albert Gleizes, 1912, Landschaft bei Paris, Paysage près de Paris, Paysage de ...
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