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Would've, Could've, Should've" debuted and peaked at number 20 on the US Billboard Hot 100. [7] On the Billboard Global 200 , it peaked at number 21. [ 8 ] The track peaked on singles charts including the Canadian Hot 100 (18), [ 9 ] the Portuguese singles chart (66), [ 10 ] the Philippines Songs chart (23), [ 11 ] and the Billboard Vietnam Hot ...
Taylor Swift's Midnights 3 A.M. Edition tracks may be among the album's most brutal lyrically, but none express regret quite as strongly as “Would've, Could've, Should've,” seemingly about ...
Taylor really put Would’ve, Could’ve, Should’ve, a song directly about her relationship with John Mayer when she was just 19, as TRACK 19 ON THE ALBUM. SHOTS WERE FIRED — mr. perfectly ...
Produced by Swift and Jack Antonoff, "Bigger Than the Whole Sky" is a country-influenced ambient ballad with ambiguous lyrics expressing grief and heartache over a person the narrator has never met. Music critics praised Swift's songwriting and some interpreted the song to be about miscarriage. "Bigger Than the Whole Sky" charted in the top 30 ...
Taylor Swift struggled to get through an acoustic performance of her song "Would've, Could've, Should've" at her Edinburgh concert June 7, pausing the lyrics twice.
[11] [12] [13] In the refrains, after the lyrics, "You're on your own kid, you always have been", the instrumental comes to a halt, contrasting with what Slant Magazine's Paul Attard found to be a "relentless pre-chorus". [14] In reviews of Midnights, critics described the genre as alternative pop, [10] [15] alternative rock, [16] and pop rock ...
Just months ago, in October, when Swift dropped her 10th album, Midnights, it included bonus tracks and fans speculate one, "Would've, Could've, Should've," is another go at Mayer. It happened to ...
Amy Pettifer of The Quietus deemed the lyrics "sparkling–sad and clever". [54] Sasha Geffen of Consequence called "Clean" a "bell-accounted number" and commended Swift's sentiment of finding strength through friendship. [50] In a less positive review, Matthew Horton of NME thought the song was "weepy" and considered it "a late collapse" on ...