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The Parting of the Sea: How Volcanoes, Earthquakes, and Plagues Shaped the Exodus Story is a book written by Barbara J. Sivertsen in 2009. [1]The book accepts the biblical story as factual and supports an early Exodus hypothesis, prior to a biblical date posited as ca. 1440 BCE.
The Crossing of the Red Sea, by Nicolas Poussin (1633–34). The Crossing of the Red Sea or Parting of the Red Sea (Hebrew: קריעת ים סוף, romanized: Kriat Yam Suph, lit. "parting of the sea of reeds") [1] is an episode in The Exodus, a foundational story in the Hebrew Bible.
[5] Circe Invidiosa exemplifies Waterhouse's experimentation with the femme fatale archetype, which pervaded an immense amount of late nineteenth-century art. However, Chris Woods argues that Waterhouse's portrayals of Circe are not wholly evil, destructive, or monstrous, much like one sees in paintings of female mythological figures by Gustave ...
The Sea Wall (French: Un barrage contre le Pacifique) is a 1950 novel by the French writer Marguerite Duras. It was adapted for film in 1958 as This Angry Age and in 2008 as The Sea Wall . [ 1 ] Inspired largely by her own adolescence in French Indochina , Duras wrote this novel in 1950, just after divorcing her first husband and remarrying.
The Parting of Abelard and Heloise or Abelard and Heloise Say Farewell is an oil on cavnas painting by Angelica Kauffman. It is signed on a block of stone at bottom centre Angelica K. pinx . It shows Peter Abelard and Héloïse parting as she enters the convent of Sainte-Marie at Argenteuil .
The Parting of Lot and Abraham is one in a series of mosaic scenes, probably dating to the 430s, that decorate the nave wall of Santa Maria Maggiore, one of the most prominent basilican churches in Rome. The mosaic shows the story in the biblical Book of Genesis of the parting of Abraham from his nephew, Lot, as they choose
The Crossing of the Red Sea is a fresco executed in 1481–1482 and located in the Sistine Chapel, Vatican City. Of uncertain attribution, it has been assigned to Cosimo Rosselli . It depicts the crossing of the Red Sea by the Israelites, from chapter 14 of the book of Exodus .
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...