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The time 8:45 may be spoken as "eight forty-five" or "(a) quarter to nine". [19] In older English, it was common for the number 25 to be expressed as "five-and-twenty". [20] In this way the time 8:35 may be phrased as "five-and-twenty to 9", [21] although this styling fell out of fashion in the later part of the 1900s and is now rarely used. [22]
Some broadcasters that have ceased signing on and signing off in favour of 24-hour broadcasting may perform a sign-off sequence at a certain time in the night (usually between 10:00 p.m. and 1:00 a.m.) as a formality to signify the end of its operating day (in the United States, the broadcast logging day ends at 12:00 midnight local time).
A time on the 12-hour clock The 7PM Project , previous name of the Australian TV program The Project "7:PM", a 2005 song by Yann Tiersen on the album Les Retrouvailles
Affiliates fill time periods not occupied by network programs with local or syndicated programming. PBS – which offers daytime programming through a children's program block, branded as PTV at the time – is not included, as its member television stations have local flexibility over most of their schedules and broadcast times for network ...
Approximate U.S. television broadcast dayparts for weekdays (Eastern Time Zone)In broadcast programming, dayparting is the practice of dividing the broadcast day into several parts, in which a different type of radio programming or television show appropriate for that time period is aired.
In American English, the term military time is a synonym for the 24-hour clock. [8] In the US, the time of day is customarily given almost exclusively using the 12-hour clock notation, which counts the hours of the day as 12, 1, ..., 11 with suffixes a.m. and p.m. distinguishing the two diurnal repetitions of this sequence.
Some ragas of the Indian classical music are prescribed to be performed at a particular prahara to maximize their aesthetic effects (see samayā).Perhaps the earliest mention of the relation between raga and time is Narada's Sangita Makaranda, written sometime between the 7th and 11th century, which warns musicians against playing ragas at the incorrect time of day. [5]