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"Looking" and "seeing" are traditionally contrasted in a number of ways, although their usage often overlaps. Looking can be characterized as "the action precedent to seeing". [4] Any kind of looking or viewing actually implies "seeing" certain things within the range of view, while not "seeing" others, because they are unimportant at the moment.
Synonymous with art photography". [22] "Art photography": A definition "is elusive," but "when photographers refer to it, they have in mind the photographs seen in magazines such as American Photo, Popular Photography, and Print, and in salons and exhibitions. Art (or artful) photography is salable.". [23]
The major problem in visual perception is that what people see is not simply a translation of retinal stimuli (i.e., the image on the retina), with the brain altering the basic information taken in. Thus people interested in perception have long struggled to explain what visual processing does to create what is actually seen.
The concept of the "male gaze" was first used by the English art critic John Berger in Ways of Seeing, a series of films for the BBC aired in January 1972, and later a book, as part of his analysis of the treatment of the nude in European painting. Berger described the difference between how men and women view and are viewed in art and in society.
The Museum of Modern Art currently distinguishes vernacular photography from both fine-art photography and professional photography, singling out snapshots in particular: it defines vernacular photography as "[i]mages by amateur photographers of everyday life and subjects, commonly in the form of snapshots. The term is often used to distinguish ...
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A high-angle (HA) shot is a shot in which the camera is physically higher than the subject and is looking down upon the subject. The high angle shot can make the subject look small or weak or vulnerable while a low-angle (LA) shot is taken from below the subject and has the power to make the subject look powerful or threatening.
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