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[4] [5] [6] Jesus begins to write something on the ground using his finger; when the woman's accusers continue their challenge, he states that the one who is without sin is the one who should cast the first stone at her. The accusers depart, realizing not one of them is without sin either, leaving Jesus alone with the woman.
But the censor did not allow these words to be included in the catalogue, but allowed 'Christ and the woman caught in adultery', because that was the name of other paintings, and then in the museum it was called 'The Prodigal Woman', which was completely contrary to the Gospel story, which clearly says that it is a woman who has sinned.
In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]
This is an accepted version of this page This is the latest accepted revision, reviewed on 15 February 2025. Female entity in Near Eastern mythology This article is about the religious figure Lilith. For other uses, see Lilith (disambiguation). Lilith (1887) by John Collier Lilith, also spelled Lilit, Lilitu, or Lilis, is a feminine figure in Mesopotamian and Jewish mythology, theorized to be ...
In Ezekiel 28:12–19, [31] the prophet Ezekiel the "son of man" sets down God's word against the king of Tyre: the king was the "seal of perfection", adorned with precious stones from the day of his creation, placed by God in the garden of Eden on the holy mountain as a guardian cherub. However, the king sinned through wickedness and violence ...
Adam's sin is not comprehended only as disobedience to God's commandment, but as a change in man's hierarchy of values from theocentricism to anthropocentrism, driven by the object of his lust, outside of God, in this case the tree which was seen to be "good for food", and something "to be desired" (see also theosis, seeking union with God). [32]
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens). Original sin (Latin: peccatum originale) in Christian theology refers to the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall, involving the loss of original righteousness and the distortion of the Image of God. [1]