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The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
The Lingodbhava image can be found in the first precinct around the sanctum in the wall exactly behind the image of Shiva in the central shrine with Vishnu and Brahma in the sides. Lingodbhava or emergence of the Lingam, found in various puranas , augments the synthesis of the old cults of pillar and symbolic worship. [ 5 ]
The trishula has a number of interpretations in Hindu belief. The three points of the weapon have various meanings and significance have many stories behind them. They are commonly said to represent various trinities: creation, preservation, and destruction; past, present, and future; body, mind and atman; Dharma (law and order), bliss/mutual enjoyment and emanation/created bodies; compassion ...
Shiva has pre-Vedic tribal roots, [26] having "his origins in primitive tribes, signs and symbols." [59] The figure of Shiva as he is known today is an amalgamation of various older deities into a single figure, due to the process of Sanskritization and the emergence of the Hindu synthesis in post-Vedic times. [60]
Ardhanarishvara conveys that Shiva and Shakti are one and the same, an interpretation also declared in inscriptions found along with Ardhanarishvara images in Java and the eastern Malay Archipelago. [ 3 ] [ 9 ] The Vishnudharmottara Purana also emphasizes the identity and sameness of the male Purusha and female Prakriti, manifested in the image ...
There is a colloquial saying that "Shiva without Shakti is Shava" which means that without the power of action (Shakti) that is Mahakali (represented as the short "i" in Devanagari) Shiva (or consciousness itself) is inactive; Shava means corpse in Sanskrit and the play on words is that all Sanskrit consonants are assumed to be followed by a ...
The text is named after Jnana (knowledge) aspect of the Hindu god Shiva, as Dakshinamurti which means giver of knowledge. [2] He is traditionally the expounder of the Shastras, represented as seating under a Banyan tree in the Himalayas resplendent with energy and bliss, surrounded and revered by sages, in a yoga pose (virasana), holding the fire of knowledge in one hand and a book or snake or ...
The text also includes a Satarudriya, an influential hymn with embedded hundred epithets for Rudra, that is cited in many medieval era Shaiva texts as well as recited in major Shiva temples of Hindus in contemporary times. Yet, the Vedic literature only presents scriptural theology, but does not attest to the existence of Shaivism.