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In 2024, K. M. A. Ahamed Zubair, associate professor of Arabic at The New College in Chennai, made an Arabic translation of the Kural, namely Al-Abyath Al-Baariza: Thirukkural (الأبيات البارزة :تيركورل). Published by the Shams Publishing Inc. in London, it contains 300 pages with a critical introduction of Thirukkural and ...
[1] [2] The poem is considered one of the most famous Arabic pieces of its era [3], yet, it's origin comes from Al-Andalus, being this a Muwashshah or Andalusian Moaxaja. The author of the piece is disputed, and thought to be either Lisan al-Din Ibn al-Khatib (1313 - 1374 AD), which is the most plausible, or Muhammad Abdulrahim Al-Maslub [ ar ...
The feet of an Arabic poem are traditionally represented by mnemonic words called tafāʿīl (تفاعيل).In most poems there are eight of these: four in the first half of the verse and four in the second; in other cases, there will be six of them, meaning three in the first half of the verse and three in the second.
Levantine Arabic is commonly understood to be this urban sub-variety. Teaching manuals for foreigners provide a systematic introduction to this sub-variety, as it would sound very strange for a foreigner to speak a marked rural dialect, immediately raising questions on unexpected family links, for instance.
"Stessa spiaggia, stesso mare" has been covered in French ("Tout s'arrange quand on s'aime") and in Spanish ("La misma playa"). "Mi guardano" has two different versions: in Spanish ("Me miran") and a second Italian version (for the 1970 album ...quando tu mi spiavi in cima a un batticuore...
"La canzone del sole" (transl. "The Sun Song" ) is a 1971 song composed by Lucio Battisti (music) and Mogol (lyrics), arranged by Gian Piero Reverberi and performed by Lucio Battisti. Composition
The Lāmiyyāt al-‘Arab (the L-song of the Arabs) is the pre-eminent poem in the surviving canon of the pre-Islamic 'brigand-poets' . The poem also gained a foremost position in Western views of the Orient from the 1820s onwards. [ 1 ]
The Luzumiyat (Arabic: اللزوميات) is the second collection of poetry by al-Ma'arri, comprising nearly 1600 short poems [1] organised in alphabetical order and observing a novel double-consonant rhyme scheme devised by the poet himself. [2] [3]: 336