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The same month, the studio version of "Sliver" appeared on Incesticide, a rarities compilation released in the wake of the surprising success of the band's major label debut, Nevermind. A music video was filmed for the song in March 1993 and first aired in May 1993. It was the only music video released from the album.
Sliver: Music from the Motion Picture is a soundtrack album for the 1993 film Sliver. It peaked at number 23 on the Billboard 200 chart [ 2 ] and was certified gold by the RIAA on December 17, 1993.
"Goalie Goalie" (stylized as Goalie Goalie! and Goalie Goalie 2018!) is a 2018 PowerHouse Records release featuring an international line-up of singers and artists, the Iranian Swedish artist Arash, the Russian singer Nyusha, Cuban-American rapper Pitbull and rising American record producer Blanco Brown on the occasion of the 2018 FIFA World Cup.
"Broken Angel" is a single by Iranian singer Arash, which was released in 2010 by Warner Music. It features Swedish singer Helena with Marianne Puglia appearing in the music video. The music video of this song is the most-viewed music video of Arash YouTube channel.
"Pure Love" is a single by Iranian–Swedish singer Arash, which was released in 2008 by Warner Music. It features Swedish singer Helena , with Marianne Puglia appearing in the music video. Track listing
Printable version; In other projects ... Warner Music Scandinavia (WEA) Arash chronology; ... Arash is the debut studio album by Iranian-Swedish singer Arash (full ...
A second studio version was recorded by Butch Vig, who later produced the band's breakthrough album, Nevermind, in April 1990 at Smart Studios in Madison, Wisconsin.This version was released twice by the band's then-label, Sub Pop, first as the B-side to the "Sliver" single in September 1990, and then on the compilation album The Grunge Years in June 1991.
The song was composed by a group of songwriters including Arash. [1] [2] The video clip for the song was directed by Swedish director Fredrik Boklund and premiered on Ictimai TV on 24 April 2009. Boklund described the video as "visual rendition of the performers' emotions and feelings."