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"Rotterdam (Or Anywhere)" is a song by English pop rock music group the Beautiful South, taken from their fifth studio album, Blue Is the Colour (1996). It was written by Paul Heaton and Dave Rotheray , was produced by Jon Kelly , and features Jacqui Abbott on lead vocals.
"Waiting Room" is a song by the American post-hardcore band Fugazi. The song was first released as the opening track to their debut EP , and was later compiled on their commercially successful 1989 compilation 13 Songs .
The Waiting is a Christian alternative pop rock band, consisting of Brad Olsen (vocals), Todd Olsen (guitar), Clark Leake (bass), and Brandon Thompson (drums, percussion, loops). Early albums by "The Waiting" were guitar driven alternative rock that drew fans with clever songwriting and introspective lyrics that stood out from most Christian ...
"Throne Room" is a song by American worship leader, singer, and songwriter Kim Walker-Smith. It was released on March 10, 2017, as the lead single from her third studio album, On My Side (2017). [1] The song was written by Walker-Smith, Jacob Sooter, Lindsay Sweat, and Mia Fieldes. [2] It appeared on the album WOW Hits 2018: Deluxe Edition.
The Waiting Room is a 2007 British romantic drama film directed by Roger Goldby and starring Anne-Marie Duff, Frank Finlay and Ralf Little. [1] It was produced by Bright Pictures. The story follows three south London couples who try to come to terms with their love lives. The film's running time is 102 minutes and 24 seconds.
Florida Gov. Ron DeSantis said during his Sunday briefing about the state's response to COVID-19 that Florida is "God's waiting room" due to the number of nursing homes in the state.
The Wait is a 2021 Nigerian faith-based drama film directed by Yemi Morafa and Fiyin Gambo, and produced by Tolu LordTanner [1] The film stars Nse Ikpe Etim, Deyemi Okanlawon, Jimmy Odukoya, Ini Dima-Okojie, Meg Otanwa, Chimezie Imo and Aisha Sanni-Shittu in the lead roles. [2]
Opening track "Follow Me" was the final song recorded for the album. When the band needed a piece of music to act as an introduction, Stuart Staples and musical arranger Julian Siegel used the melody from Bronisław Kaper ' s soundtrack to the 1962 film Mutiny on the Bounty, which Staples had found himself humming as he walked down the street. [2] "