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The Fifteen Signs before Doomsday (alternatively known as the Fifteen Signs of Doomsday, Fifteen Signs before Judgement, in Latin Quindecim Signa ante Judicium, and in German 15 Vorzeichen des Jüngsten Gerichts [1]) is a list, popular in the Middle Ages because of millenarianism, of the events that are supposed to occur in the fortnight before ...
The history of thousands of years of contact with Chinese and various Indian myths (such as Buddhist and Hindu mythology) are also key influences in Japanese religious belief. [ 1 ] [ 2 ] [ 3 ] Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion , and the Shinto pantheon holds uncountable ...
[3] [4] Abe no Seimei, who was active during the Heian period, is the most famous onmyōji (Onmyōdō practitioner) in Japanese history and has appeared in various Japanese literature in later years. Onmyōdō was under the control of the imperial government, and later its courtiers, the Tsuchimikado family, until the middle of the 19th century ...
The Apocalypse of Thomas (Latin: Revelatio Thomae) is a work from the New Testament apocrypha, apparently composed originally in Greek.It concerns the end of the world, and appears to be influenced by the Apocalypse of John (better known later as the Book of Revelation), although it is written in a less mystical and cosmic manner.
In Shinto chronology, the Age of the Gods (神代, Kami-yo/Jindai) is the period preceding the accession of Jimmu, the first Emperor of Japan. [1] The kamiyo myths are chronicled in the "upper roll" (Kamitsumaki) of the Kojiki and in the first and second chapters of the Nihon Shoki.
Ninigi-no-Mikoto (Japanese: 瓊瓊杵尊) is a deity in Japanese mythology. [1] (-no-Mikoto here is an honorific title applied to the names of Japanese gods; Ninigi is the specific god's name.) Grandson of the sun goddess Amaterasu, [2] Ninigi is regarded according to Japanese mythology as the great-grandfather of Japan’s first emperor ...
The earliest Japanese representations of Mahākāla-Daikokuten can be classified into two types: one (associated with the Shingon school) shows the deity standing, his left hand holding a sack slung over his shoulder, with his right hand clenched into a fist and resting on the right hip, while the other (associated with the Tendai school ...
In Japan, Fukurokuju (福禄寿; from Japanese fuku, "happiness"; roku, "wealth"; and ju, "longevity") is one of the Seven Lucky Gods in Japanese mythology. [1] It has been theorized that he is a Japanese assimilation of the Chinese Three Star Gods (Fu Lu Shou) embodied in one deity.