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YouTube was a platform for many drill rappers to release their music videos on, and ultimately significantly contributed to the genre's popularity. [55] Chief Keef is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream. [20]
The Brooklyn drill sound is a combination of trap, Chicago drill and UK drill (the latter of which brings production influences from grime and UK garage). [31] Characteristic features of Brooklyn drill production include distorted 808 percussions with vocal sampling from other popular tracks.
An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal. Unprocessed audio coming into an effects unit is referred to as dry, while the processed audio output is referred to as ...
Foley can also include other sounds, such as doors closing and doorbells ringing; however, these tend to be done more efficiently using stock sound effects, arranged by sound editors. Foley effects help the viewer judge the size of a space. For example, a large hall has strong reverberation, while a small room may have only slight reverberation ...
UK drill is a subgenre of drill music and road rap that originated in the South London district of Brixton from 2012 onwards. [1] [2] [3] While being sonically distinct from Chicago drill music, [4] it embraces its aesthetic and melds it with road rap, a British style of gangsta rap that became popular in the years prior to the existence of drill.
"Formation" is a Houston trap and New Orleans bounce song. [9] [10] The song is written in the key of F minor in common time with a tempo of 123 beats per minute. [11]It has a minimalistic beat containing rubbery synths and a heavy bass line, which transforms into a horn-infused stomp reminiscent of marching bands and military tattoos.
"Money" begins with the rhythmic sequence of sound effects that is heard throughout the first several bars. This was created by splicing together recordings Waters had made of clinking coins, a ringing cash register, tearing paper, a clicking counting machine and other items to construct a seven-beat effects loop.
"Stomp!" is a song released by the Brothers Johnson from their fourth album, Light Up the Night, in early 1980. It reached number one on the Dance singles chart. [ 3 ] In the US it reached number one on the R&B singles chart and peaked at number 7 on the Billboard Hot 100 in early 1980. [ 4 ]
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