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The different names of this profession are both based on the fact that the mixer is not mixing a live performance to a live audience nor recording live on a set. That is, the mixer is re-recording sound already recorded elsewhere (the basis of the North American name) after passing it through mixing equipment such as a digital audio workstation ...
The boom operator and production sound mixer can sometimes be combined into a job performed by one person on lower budget productions, usually when the crew number is to be kept minimal, or for documentaries or news collecting. The one-man unit is often known simply as a "sound recordist" or "sound man", and would perform all on set sound ...
Re-recording is the process by which the audio track of a film or video production is created. An Audio re-recording is often called a re-recording of music.As sound elements are mixed and combined the process necessitates "re-recording" all of the audio elements, such as dialogue, music, sound effects, by the sound re-recording mixer(s) to achieve the desired result, which is the final ...
Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
Historically the Dubbing Mixer (UK) or Re-Recording Mixer (US) was the specialist who mixed all the audio tracks supplied by the Dubbing Editor (with the addition of 'live sounds' such as Foley) in a special Dubbing Suite. As well as mixing, he would introduce equalization, compression and filtered sound effects, etc. while seated at a large ...
Mixing engineers typically begin with formal training in a music background, namely a degree in audio engineering or recording engineering. [1] Degrees in other relevant areas, such as those in music, or any working experiences gained outside academia can also help; for example, mixing engineers specialized in classical music may benefit from experience in performing in an orchestra to create ...
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