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Action, Gesture, Paint: Women Artists and Global Abstraction 1940–1970 was an art exhibition held at the Whitechapel Gallery from 9 February 2023 through 7 May 2023. [1] The exhibit presented 150 mid-century abstract paintings by 81 women artists. The show included artists from Asia, Europe, North America, and South America. [2] [3]
Marla Olmstead (born 2000 in Binghamton, New York) is a painter of abstract art who, by the age of four, caught international media attention for work purportedly hers. . Abstract artworks painted by her have been as large as five feet (1.52 m) square and have sold for tens of thousands of US doll
Woman VI is a 1953 abstract work of art painted by Willem de Kooning and first displayed at the Sidney Janis Gallery in Manhattan. [1] Since the 1955 Carnegie International Exhibition, [2] Woman VI has been on view at the Carnegie Museum of Art as part of the Postwar Abstraction collection.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Yayoi Kusama was born on 22 March 1929 in Matsumoto, Nagano. [11] Born into a family of merchants who owned a plant nursery and seed farm, [12] Kusama began drawing pictures of pumpkins in elementary school and created artwork she saw from hallucinations, works of which would later define her career. [9]
In 2016 her work was included in the exhibition Women of Abstract Expressionism organized by the Denver Art Museum. [102] In 2017 Krasner was one of the subjects of the book Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art by Mary ...
Blow's work was at the forefront of the British abstract art movement of the 1950s. [6] She was one of the most original woman painters in Britain, challenging the "'macho' cult" surrounding abstract art. [3] Her works emphasise surface textures, creating a tactile quality, and tend to use simple, large geometric shapes.
The woman's eyes are half-closed and completely ignore the outside world and viewer, while her mouth is slightly shaped into an ambiguous smile, evocative of the Mona Lisa. [3] Other than her face that takes up most of the painting, the rest of the painting is barely even sketched in, with a primed, but unpainted, background. [4]
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