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Byzantine music (Greek: Βυζαντινή μουσική, romanized: Vyzantiné mousiké) originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy.
Pages in category "Eastern Orthodox liturgical music" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. A.
The Eastern Orthodox Church traditionally does not use any instruments in the liturgy, instead relying entirely on choral music and chanting. Essentially all the words of Orthodox services, except sermons and such, are either chanted or sung by readers and choirs and when possible the congregations.
Tchaikovsky's setting of the Divine Liturgy, along with his All-Night Vigil and his nine sacred songs, were of seminal importance in the later interest in Orthodox music. [8] [22] [23] Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. [9]
Russian Liturgical Music is the musical tradition of the Russian Orthodox Church. This tradition began with the importation of the Byzantine Empire's religious music when the Kievan Rus' converted to Orthodoxy in 988.
Znamenny Chant (Russian: знаменное пение, знаменный распев) is a singing tradition used by some in the Russian Eastern Orthodox Church. Znamenny Chant is a unison, melismatic liturgical singing that has its own specific notation, called the stolp notation.
A new edition, reconstructed from surviving part books at an Orthodox monastery in the U.S. and microfilm at the U.S. Library of Congress, was published by Anthony Antolini in 1988. [4] [5] This reconstruction was the subject of a PBS documentary entitled "Rediscovering Rachmaninoff", produced by KTEH television in San Jose, California. [3]
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .