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Spektor wrote the song "The Call" for the 2008 film The Chronicles of Narnia: Prince Caspian, [36] which appeared prominently in the film's finale sequence. She then appeared as a guest vocalist on " You Don't Know Me ", a single from Ben Folds ' 2008 album, Way to Normal .
Unlike the 2002 version, which featured only Spektor and the piano, the 2012 one also includes a drum machine, horns and brass instruments. A third version of "Ne Me Quitte Pas" was also released online, keeping the new, multi-instrument production, but replacing the English verses with Russian lyrics.
The Call, a 1936 French film better known as The Call of Silence or L'Appel du Silence; The Call, a 2002 short film by Matthew Scott Krentz; The Call, an American crime thriller film; The Call (2020 American film), an American horror film; The Call (2020 South Korean film), a South Korean thriller film
"The Call" Regina Spektor: Regina Spektor: 3:08: ... Both "The Call" and "This Is Home" appear in the movie slightly altered in lyrics and music making them different ...
It should only contain pages that are Regina Spektor songs or lists of Regina Spektor songs, as well as subcategories containing those things (themselves set categories). Topics about Regina Spektor songs in general should be placed in relevant topic categories .
The discography of Regina Spektor, a Russian-American anti-folk musician, consists of eight studio albums, four extended plays, two live albums, and twenty-six singles. Spektor's first two albums were released exclusively in the United States; Soviet Kitsch, Begin to Hope, Far and What We Saw from the Cheap Seats were released
"Samson" is a song written and recorded by American singer-songwriter Regina Spektor, from her albums Songs and Begin to Hope. Despite having never been officially released as a single, it has charted in several countries, and is often considered one of Spektor's greatest songs. [1] [2] As of 2009 it has sold 143,000 copies in United States. [3]
The chord structure, melody, and lyrics are all completely different. Brel's song was written in the key of A minor, in 3/4 time. It is a slow, haunting story of a man trying to win back his former lover—a song about the cowardice of men according to Brel. [1] In contrast, Spektor's song is lively, in 4/4 time, and in a major key.