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Fruit pit carving (Chinese: 核雕; pinyin: hédiāo) is a Chinese folk handicraft in which the pits of peach, apricot, walnut, Chinese olive, yumberry and other drupes are used to create minute patterns of the Buddha, nature, or the Chinese zodiac [1] that are said to repel evil spirits. The carved pits are also used to create jewelry and ...
Fruit carving. Fruit carving is the art of carving fruit, a very common technique in Europe and Asian countries, and particularly popular in Thailand, China and Japan. There are many fruits that can be used in this process; the most popular one that artists use are watermelons, apples, strawberries, pineapples, and cantaloupes.
Sculpture. Medium. Olive pit. Dimensions. 1.6 cm × 1.4 cm × 3.4 cm (0.63 in × 0.55 in × 1.3 in) [1] Location. National Palace Museum, Taipei. The Boat Carved from an Olive Stone (Chinese: 雕橄欖核舟) is a fruit pit carving of a boat made out of an olive pit. It is part of the collection of the National Palace Museum in Taipei, Taiwan.
Pre-Columbian stone sphere, located at the University of Costa Rica as a symbol of tradition and ancient wisdom. Stone spheres of the Diquís exhibited at Museo del Jade. Scientific research in the alluvial plain, particularly on United Fruit Company properties, began in the 1940s with the work of Doris Zemurray Stone and Samuel Lothrop ...
Pyrena. A pyrena or pyrene (commonly called a "pit" or "stone") is the fruitstone within a drupe or drupelet produced by the ossification of the endocarp or lining of the fruit. [1] It consists of a hard endocarp tissue surrounding one or more seeds (also called the "kernel"). [2][3] The hardened endocarp which constitutes the pyrene provides a ...
The Prehistoric Rock-Art Site of the Côa Valley is an open-air Paleolithic archaeological site located in northeastern Portugal, near the border with Spain. In the early 1990s, rock engravings were discovered in Vila Nova de Foz Côa during the construction of a dam in the Côa River valley. They include thousands of engraved rock drawings of ...
The stone carving is apparently interpreted (read) from right to left, since the signs and other visual elements are to the right. The main sign represents a skull, possibly described as “anthropozoomorphic”. It depicts a de-fleshed jaw and an open eye, which departs from associations with other known mesoamerican deities. [10]
This carving has been identified as a component of a necklace located in the Palazzo Bonamini-Pepoli, Pesaro. Other attributed works include a carved cherry stone, located in the Uffizi , and a set of eleven carved peach stones inset in silver filigree, located in the Archaeological Museum at Bologna. [ 7 ]
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