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A woman's film is a film genre which includes women-centered narratives, female protagonists and is designed to appeal to a female audience. Woman's films usually portray "women's concerns" such as problems revolving around domestic life, the family, motherhood, self-sacrifice, and romance. [29]
Women's cinema primarily describes cinematic works directed (and optionally produced too) by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied. It is also a variety of topics bundled together to create the work of women in film.
1912 Algie the Miner; director: Alice Guy-Blaché (uncredited) first western directed by a woman. 1914 The Merchant of Venice; director: Lois Weber; the first full-length feature film directed by a woman. 1915 The Hypocrites; director: Lois Weber. 1916 Miss Peasant; director: Olga Preobrazhenskaya. 1916 Shoes; director: Lois Weber.
Feminist film theory. Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of ...
Women in Film (WIF) has created a resource guide and included a dedicated day on their help line to offer assistance to those impacted both physically and emotionally by the WGA and SAG-AFTRA strikes.
1973–1997. Women in Film and Television International (WIFTI) is a "global network comprised of over forty Women in Film chapters worldwide with over 10,000 members, dedicated to advancing professional development and achievement for women working in all areas of film, video and digital media." [5] The organization was founded in 1973 in Los ...
t. e. The Women in Film Crystal + Lucy Awards —first presented in 1977 by the now–Los Angeles chapter of the Women in Film organization—were presented to honor women in communications and media. [1] The awards include the Crystal Award, the Lucy Award, the Dorothy Arzner Directors Award, the MaxMara Face of the Future Award, and the Kodak ...
First woman of color to direct a film to be nominated for Best International Feature Film. 1995: Marleen Gorris: Antonia's Line: Won First woman to direct a film to win for Best International Feature Film. 1996: Nana Jorjadze: A Chef in Love: Nominated Berit Nesheim: The Other Side of Sunday: Nominated 1997: Caroline Link: Beyond Silence ...
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