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In English the word may or may not be italicised, and if it is may use the French circumflex: châsse.Regardless of the form used, the term in English is normally only used of "house"-shaped boxes, usually enamelled ones, whereas in French it is a general term for reliquaries with a box, "shrine" or casket form, of any shape, and tends to be used especially for larger examples.
A catafalque is a raised bier, box, or similar platform, often movable, that is used to support the casket, coffin, or body of a dead person during a Christian funeral or memorial service. [1] Following a Roman Catholic Requiem Mass , a catafalque may be used to stand in place of the body at the absolution of the dead or used during Masses of ...
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
The handles and other ornaments (such as doves, stipple crosses, crucifix, symbols etc.) that go on the outside of a coffin are called fittings (sometimes called 'coffin furniture' – not to be confused with furniture that is coffin shaped) while organizing the inside of the coffin with fabric of some kind is known as "trimming the coffin".
Memorial poles at the National Gallery of Australia. A memorial pole, also known as hollow log coffin, burial pole, lorrkkon, ḻarrakitj, or ḏupun, is a hollow tree trunk decorated with elaborate designs, made by the Yolngu and Bininj peoples of Arnhem Land in the Northern Territory of Australia.
The object called by the museum Casket with Scenes of Romances (catalogued as Walters 71264) is a French Gothic ivory casket made in Paris between 1330 and 1350, and now in the Walters Art Museum, Baltimore, Maryland. The casket is 4 5/8 inches high, 9 15/16 inches wide and 5 1/16 inches deep (11.8 × 25.2 × 12.9 cm).
Tomb effigy of Jean d'Aluye (foreground), French, 13th century. Originally in the Abbey of La Clarté-Dieu in Northern France, now in the Cloisters, New York. [25] The earliest medieval examples are German; the style was significantly developed by French sculptors during the Romanesque style between c. 1080 and c. 1160.
Used not only to block strikes and missiles but also swung outwardly (or in quick upward motions) to strike an opponent. Also used to rush an opponent (known as shield bashing). Some shields had spikes, sharp edges, or other offensive designs. Aspis, oplon (Greek) Buckler (European) Clipeus (Roman, Greek) Dhal (Indian)