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Chromatic most often refers to structures derived from the chromatic scale in 12-tone equal temperament, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in mensural music of the 14th to 16th ...
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color.
The next property is value, meaning the lightness or darkness of the hue. [6] The last is chroma or intensity, distinguishing between strong and weak colors. [6] A visual representation of chromatic scale is observable through the color wheel that uses the primary colors. [3]
Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1]. Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale.
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1]
Just (black) major and parallel minor triad, compared to its equal temperament (gray) approximations, within the chromatic circle. Pythagorean tuning has been attributed to both Pythagoras and Eratosthenes by later writers, but may have been analyzed by other early Greeks or other early cultures as well.
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are determined by choosing a sequence of fifths [2] which are "pure" or perfect, with ratio :. This is chosen because it is the next harmonic of a vibrating string, after the octave (which is the ratio 2 : 1 {\displaystyle 2:1} ), and hence is the ...