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We’ve Got a Fuzzbox and We’re Going to Use It – Reimagined/Reimagined Too: The Best of Fuzzbox Reimagined (2022), Pagster Music Via Gonzo Media 2; 1 Bostin' Steve Austin was released as We've Got a Fuzzbox and We're Gonna Use It in the US by Geffen Records in 1987. 2 An album of re-recorded songs from Fuzzbox's back catalogue [13] [19]
A fuzzbox is a device for deliberately introducing distortion in music. Fuzzbox may also refer to: We've Got a Fuzzbox and We're Gonna Use It or Fuzzbox, a 1980s English pop-punk quartet "Fuzzbox", a song by Bomb the Bass, featuring vocals from Jon Spencer from their 2008 album Future Chaos; FuzzBox, a video-game developer that developed Cyber Org
Big Bang! is the second album by English alternative rock group Fuzzbox, released in 1989. It includes four singles which reached the UK Singles Chart: "International Rescue" (No. 11), "Pink Sunshine" (No. 14), "Self!" (featuring a guitar solo by Brian May of Queen, No. 24) and a cover of Yoko Ono's "Walking on Thin Ice" (No. 76). [3]
"She's Just Killing Me" is a song by rock band ZZ Top, [1] released as the first single from their 1996 album, Rhythmeen. The single was promoting the film From Dusk till Dawn where it was featured as well as on its soundtrack, which also includes "Mexican Blackbird" from the 1975 album Fandango!.
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A fuzzbox (or "fuzz box”) alters an audio signal until it is nearly a square wave and adds complex overtones by way of a frequency multiplier. [7] Waveform plot showing the different types of clipping. Tube overdrive is a form of soft limiting, while transistor clipping or extremely overdriven tube amps resemble hard clipping.
Fuzzbox "Self!" Big Bang! 1989 Artists United for Nature "Yes We Can" Yes We Can (single; also released on the compilation Earthrise – The Rainforest Album) 1989 Rock Aid Armenia "Smoke on the Water" Smoke on the Water: guitar (drums by Roger Taylor) 1990 Rock Against Repatriation "Sailing" Sailing: 1991 D-Rok "Red Planet Blues", "Get Out of ...
The group re-recorded it two days later at RCA Studios in Hollywood, California, with a different beat and the Maestro fuzzbox adding sustain to the sound of the guitar riff. [ 10 ] [ 11 ] Richards envisioned redoing the track later with a horn section playing the riff: "this was just a little sketch, because, to my mind, the fuzz tone was ...