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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
The innovations include: development of new brushing skill such as vertical direction splash water and ink, with representative artist Tiancheng Xie, [citation needed] creation of new style by integration traditional Chinese and Western painting techniques such as Heaven Style painting, with representative artist Shaoqiang Chen, [21] and new ...
The classic East Asian tradition of ink wash painting uses black ink in various levels of dilution. Historically associated with the four arts of the scholar-officials, the technique was often applied to landscapes in traditional Chinese, Japanese, and Korean painting.
Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu's landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.
The ink is the most important element that determines the effect of the painting. The use of ink can date back to ancient China. Traditionally, ink is used along with the ink slab and columnar congealed ink. But with the growing convenience of preserving liquid ink, nowadays people prefer the easier way of using ink.
The Tang dynasty saw the maturity of the landscape painting tradition known as shanshui (mountain-water) painting, which became the most prestigious type of Chinese painting, especially when practiced by amateur scholar-official or "literati" painters in ink-wash painting. In these landscapes, usually monochromatic and sparse, the purpose was ...
Mogu (Chinese: 沒骨) is a painting skill or technique in traditional Chinese painting. It literally means "boneless". [1] On paintings in the style of mogu, forms are made by ink and color washes rather than by outlines. [1]
The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices.
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