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"Salt Peanuts" is a contrafact of "I Got Rhythm" by George and Ira Gershwin: it has the same 32-bar AABA structure and harmony, but its melody is different. [3] It is a simple piece – "a four-measure riff phrase played twice in each A section, and a slightly more complex bridge (which incorporates the ubiquitous ♭ 9–7–8 figure twice)".
The song crossed over to the country charts, enabling the group to become the first African-American vocal group to perform at the Grand Ole Opry. [7] The group won the Grammy Award for "Best Country Vocal Performance By A Duo Or Group". [8] The album was the second by the group to be certified gold.
It serves as the main theme tune for the many Peanuts animated specials and is named for the two fictional siblings, Linus and Lucy Van Pelt. The jazz standard was originally released on Guaraldi's album Jazz Impressions of A Boy Named Charlie Brown in 1964, but it gained its greatest exposure as part of A Charlie Brown Christmas soundtrack the ...
Lisa sees a commercial for the Springfield Lottery and realizes that the jingle uses a Bleeding Gums Murphy song with new lyrics. She argues that Murphy disliked gambling, but the townspeople are all playing the lottery and singing the jingle.
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I Am Moana (Song of the Ancestors) I Believe (DJ Khaled song) I Remember (Disney song) I Still Believe (Disney song) I Still Believe (Hayden Panettiere song) I Thought I Lost You; I Won't Say (I'm in Love) I'll Always Be Irish; I'm Still Here (Jim's Theme) I've Got No Strings; If You Can Dream; Immortals (song) Impossible Child; In the Lobster ...
Working for Peanuts is a 1953 animated short produced by Walt Disney, featuring Donald Duck and Chip 'n' Dale. [1] It is notable for being one of their first shorts filmed in 3D (the first being Adventures in Music: Melody , which was released several months before).
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...