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Pop Art fell out of fashion and a new movement came into being. Op Art or Optic Art was now the latest trend in home décor and fashion. This form of modern art shares a strong relationship with the culture thought and design of the 1960s. This new art form focused on non-objective painting that focused on design, color, form, and line.
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Superflat is a postmodern art movement, founded by Japanese contemporary artist Takashi Murakami, which is influenced by manga and anime. [2] However, superflat does not have an explicit definition because Takashi Murakami does not want to limit the movement, but rather leave room for it to grow and evolve over time. [1]
Positive space refers to the areas of the work with a subject, while negative space is the space without a subject. [6] Open and closed space coincides with three-dimensional art, like sculptures, where open spaces are empty, and closed spaces contain physical sculptural elements. [6]
Illusionism, focused on the perception of extended space within a flat picture, is found from the earliest points of art history. However, the antecedents of op art, in terms of graphic effects and concern for exotic optical illusions, can be traced back to Neo-Impressionism, Cubism, Futurism, Constructivism, and Dada. [2]
Space is the area around, above, and within an object. Photographers can capture space, architects build space, and painters create space. This element is found in each of the visual arts. It can be positive or negative, open or closed, shallow or deep, and two-dimensional or three-dimensional.
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Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process.