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The gift of figurines accompanied every moment of life. During pregnancy, future mothers had care to offer a figurine to Ilithyia, goddess of childbirth: the statuette represents a woman squatting, in full labor, according to the Eastern practice. Certain statuettes include a small cavity intended to receive smaller figurines, representative of ...
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Download as PDF; Printable version; In other projects Wikidata item; ... Greek life can refer to: Culture of Greece; Fraternities and sororities at colleges and ...
The entire work is framed in terms of explaining art, its symbols and meaning, to a young audience. The author of the work in the introduction states that the ten-year-old son of his host was the immediate cause of the composition of this work and that the author will structure the book and each of its chapters as if this boy is being addressed.
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium.
Livor mortis (from Latin līvor 'bluish color, bruise' and mortis 'of death'), postmortem lividity (from Latin post mortem 'after death' and lividitas 'black and blueness'), hypostasis (from Greek ὑπό (hypo) 'under, beneath' and στάσις (stasis) 'a standing') [1] [2] or suggillation, is the second stage of death and one of the signs of ...
Wanting to fit in and express themselves, Stheno, Euryale, and Medusa move to the human realm, encountering other Greek mythology characters before settling in Athens. Stheno takes kithara lessons; Euryale befriends and secretly observes prostitutes and their clients in her wish to become Poseidon's lover; Medusa becomes a priestess of Athena.