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Francesco Monteverde (19th century) Paolo Moranda Cavazzola (1486–1522) Giorgio Morandi (1890–1964) Domenico Morani (1813–1870) Domenico Morelli (1823–1901) Moretto da Brescia (c.1498–1554) Emma Moretto (19th century) Giovan Battista Moroni (1522–1579) Tulio Moy (1856–1894) [25] Carlo Muccioli (1857–1931) Quirizio di Giovanni da ...
Many of Newcomb-Macklin's frames designed in the early 20th century reflected the esthetics of the Arts and Crafts movement that flourished in the United States between 1900 and 1925. [1] Newcomb-Macklin frames in the arts and crafts style are today regarded as antiques and are often utilized by collectors and dealers to lend an air of ...
Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total. This list may not reflect recent changes .
Reverse glass painting (Persian: posht-e shisheh) was first seen in Iran during the 15th century, [15] but the art flourished starting in the 19th century. [16] One of the earliest surviving examples of this art in Iran is from the Qajar dynasty, during the reign of Fath Ali Shah (from c. 1797–1834). [ 16 ]
Hermonia Vivarini (16th-century Venice) Japan. Keiko Mukaide (b. 1954) The Netherlands. Antoon Derkinderen (1859-1925) New Zealand ... List of glass artists.
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.
Nineteenth- or early twentieth-century style vitrine Japanese style vitrine. Nineteenth-century furniture makers often interpreted designs of earlier vitrines into more standardized or factory-produced furniture, [8] which can often have smooth, factory-produced backs. François Linke was one of the most common producers of nineteenth-century ...
Many of the artists of the Macchiaioli died in penury, achieving fame only towards the end of the 19th century. Today the work of the Macchiaioli is much better known in Italy than elsewhere; much of the work is held, outside the public record, in private collections there.