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Huadian (traditional Chinese: 花鈿; simplified Chinese: 花钿), also known as huazi (Chinese: 花子; lit. 'Little flower'), [1] mianhua (Chinese: 面花), meizi (Chinese: 媚子), [2] plum blossom makeup [3] or plum makeup [4] (Chinese: 梅花妝; pinyin: méihuāzhuāng or Chinese: 落梅妝; pinyin: luòméizhuāng) or Shouyang makeup [3] (Chinese: 壽陽妝), is a form of traditional ...
Chinese Girl (often popularly known as The Green Lady) is a 1952 painting by Vladimir Tretchikoff. Mass-produced prints of the work in subsequent years were among the best-selling of the twentieth century. [ 1 ]
Vladimir Grigoryevich Tretchikoff (Владимир Григорьевич Третчиков, 26 December [O.S. 13 December] 1913, Petropavlovsk, Russian Empire, now Petropavl in Kazakhstan [1] – 26 August 2006, Cape Town, South Africa) was an artist whose painting Chinese Girl, popularly known as The Green Lady, is one of the best-selling art prints of the twentieth century.
Chrysanthemum flower Symbol of autumn and longevity [3] Hibiscus Lotus Lotus flower [19] Narcissus Osmanthus Osmanthus blossom [19] Peach Peach blossom [19] Spring and happiness. [3] Peony [19] Peony flower Associated with royalty. [3] It is also called “flower of rank and honour"; honours means attaining high rank, an official position or ...
Daiyu Buries Flowers, a painting dated 1950. Lin Daiyu (also spelled Lin Tai-yu, Chinese: 林黛玉; pinyin: Lín Dàiyù, rendered Black Jade in Chi-chen Wang's translation) is one of the principal characters of Cao Xueqin's classic 18th-century Chinese novel Dream of the Red Chamber. [1]
Chang Ch'ung-ho or Zhang Chonghe (1914–2015), Chinese-American poet, painter, calligrapher; Georgette Chen (1906-1993), Chinese-Singaporean modern art painter; Chen Jin (1907-1998), first Taiwanese painter to achieve national recognition; Chen Ke (born 1978), painter; Movana Chen (born 1975), paper knitting artist
Zhou Fang's Buddha, celestial beings, figures, and paintings of beautiful women are all incredible masterpieces. Zhou created paintings of goddesses modelled after imperial court ladies, a development that indicated religious painting was to become more realistic, and that secular painting was beginning to take on its initial form.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345 – ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin dynasty (266–420) court painting by Gu.
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