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The Hudud Ordinances are laws in Pakistan enacted in 1979 as part of the Islamization of Pakistan by Muhammad Zia-ul-Haq, the sixth president of Pakistan.It replaced parts of the British-era Pakistan Penal Code, adding new criminal offences of adultery and fornication, and new punishments of whipping, amputation, and stoning to death.
In her last days, she completed an English translation of Mirat ul Uroos and an Urdu volume on Kahavat aur Mahavray. In 2005 her collection of women's sayings and idioms in Urdu, called Dilli ki khavatin ki kahavatain aur muhavare, was posthumously published. [1] She also wrote Safarnama, in Urdu. [12]
This is a list of English-language words of Hindi and Urdu origin, two distinguished registers of the Hindustani language (Hindi-Urdu). Many of the Hindi and Urdu equivalents have originated from Sanskrit; see List of English words of Sanskrit origin.
Hindustani (sometimes called Hindi–Urdu) is a colloquial language and lingua franca of Pakistan and the Hindi Belt of India. It forms a dialect continuum between its two formal registers: the highly Persianized Urdu, and the de-Persianized, Sanskritized Hindi. [2] Urdu uses a modification of the Persian alphabet, whereas Hindi uses Devanagari ...
Zehra Nigah (Urdu: زہرا نگاہ) is a prominent Urdu poet and scriptwriter from Pakistan, affectionately known as 'Zehra Apa'. [3] [4] [2] As one of the pioneers of Urdu poetry by women, Nigah was one of the first female poets to gain recognition in a male-dominated field.
By the end of the reign of Aurangzeb in the early 1700s, the common language around Delhi began to be referred to as Zaban-e-Urdu, [33] a name derived from the Turkic word ordu (army) or orda and is said to have arisen as the "language of the camp", or "Zaban-i-Ordu" means "Language of High camps" [32] or natively "Lashkari Zaban" means ...
Umrao Jaan Ada (Urdu: اُمراؤ جان ادا) is an Urdu novel by Mirza Hadi Ruswa (1857–1931), first published in 1899. [1] It is considered the first Urdu novel by many [2] and tells the story of a tawaif and poet by the same name from 19th century Lucknow, as recounted by her to the author.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]