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In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The steel-string acoustic guitar typically has a scale slightly shorter than the classical instrument, the most common scales ranging between short scale (24 inches (610 mm)) and long scale (25.5 inches (650 mm)). Small travel guitars and guitars specifically designed for children can have even shorter scales.
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]
Cort KX500MS Star Dust Green -fanned fret / multi-scale -7-string electric guitar with EMG-pickups. A multi-scale fingerboard (also called multiple scale length fretboard [1]) is an instrument fretboard which incorporates multiple scale lengths. This allows each of the strings to have a different string tension and thus, balanced tonal ...
This is the standard bracing pattern on the classical guitar, dating to the work of Antonio Torres Jurado in the 19th century. Although the originator of this bracing style has not been reliably established, the earliest known use is by Spanish luthier Francisco Sanguino in the mid to late 18th century.
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The scale originated in Nicolas Slonimsky's book Thesaurus of Scales and Melodic Patterns through the "equal division of one octave into two parts," creating a tritone, and the "interpolation of two notes," adding two consequent semitones after the two resulting notes. [15] The scale is the fifth mode of Messiaen's list.
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
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