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By the mid-1920s, O'Keeffe began making large-scale paintings of natural forms at close range, as if seen through a magnifying lens. [5] O'Keeffe learned modernist photography techniques, like close-cropping, from Paul Strand and others. [2] Strand was particularly influential in her development of cropped, close-up images.
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The models' poses tended to be active: standing figures seem about to stir and even seated figures gesticulate dramatically. Close observation of the model's body was secondary to the rendering of his gesture, and many drawings - consistent with academic theory - seem to present a representative figure rather than a specific body or face.
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This is an accepted version of this page This is the latest accepted revision, reviewed on 26 January 2025. Sexual interest focused on female breasts An image focusing on female breasts As a paraphilia, breast fetishism (also known as mastofact, breast partialism, or mazophilia) is a sexual interest that focuses exclusively on the female breasts, and is a type of partialism. The term breast ...
Kang explains that while Éduoard Manet and Edgar Degas painted bathing scenes that were "immediately associated in the press with women of easy virtue and prostitution, the women in Morisot's boudoir paintings, such as Getting Up, The Mirror, and Woman at her Toilette, were viewed as 'charming,' 'virginal,' 'chaste,' and exuding a 'fashionable ...