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The Sensational Epics were part of the same roster as The Tams, handled by Bill Lowery Talent Inc. [14] They recorded a version. Backed with "It's a Gas", and released on Cameo 450. [ 15 ] It was reported by Record World in the December 31, 1966 issue that the record was breaking big through the South. [ 16 ]
The material for this album was recorded in New York City between July 25, 1968 (May I) and March 10, 1969 (multiple), with the most tracks recorded at Bell Sound Studios on March 10, 1969. [11] The "Swingin' Tight" track ("Swinging Tight" is often cited, but is not the official title spelling of the song.
The song was covered by Bill Deal and the Rhondels in 1969, and peaked at number 23 on the Billboard Hot 100. [ 4 ] Del Shannon covered this song on his posthumously-released album Rock On! .
"Swingin’ Tight" is an American pop/rock song, written by Mark Barkan and Robert "Bob" Barash. The song was first recorded by the British duo Keith & Billie in 1966, but it was not until Bill Deal and the Rhondels released the song as a single in 1969 that it found widespread acclaim, making the US Billboard Hot 100, [1] Cashbox Magazine Top 100 charts, [2] and Record World 100 Top Pops.
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To make the song appealing to listeners, Holmes disguised the borderline-gruesome lyrics to a degree by juxtaposing them against a light, bouncy melody with a heavy emphasis on brass and string orchestrated and conducted by Howard Reeves. [9] Although not an official member of the band, Holmes did play the piano on this song in addition to ...
Nobody Loves You More is Deal's first solo album. It includes contributions from her sister Kelley Deal and other former Breeders collaborators, such as Jim MacPherson and Mando Lopez, as well as Savages’ Fay Milton and Ayse Hassan, Raymond McGinley of Teenage Fanclub, and the Raconteurs’ Jack Lawrence.
One Morning in May" (Roud 140, Laws P14) is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre , at least in the English versions, it tells of an encounter between a grenadier (or soldier) and a lady.