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Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [ 1 ] as well as any hip hop that does not adhere to contemporary styles.
Video Music Box is an American music television program. The series is the first to feature hip hop videos primarily, [3] [4] and was created in 1983 by Ralph McDaniels and Lionel C. Martin, who also serve as the series' hosts. [1] It aired on the New York City-owned public television station WNYC-TV (now WPXN-TV) from 1984 to 1996.
[1] [2] Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap records made appearances on the related Hot Black Singles chart. [3] The inaugural number-one single on Hot Rap Singles was "Self Destruction" by the Stop the Violence Movement ...
In the 1970s, hip-hop music typically used samples from funk and later, from disco. The mid-1980s marked a paradigm shift in the development of hip-hop, with the introduction of samples from rock music, as demonstrated in the albums King of Rock and Licensed to Ill. Hip-hop prior to this shift is characterized as old-school hip hop.
The Sugar Hill Gang appeared on the syndicated Soap Factory Disco Show in late 1979, and their performance later became the song's official music video. [19] The group's performance on the Palisades Park-based program demonstrates the significant overlap between early hip-hop and disco of the late 1970s. Alternate music videos exist as well.
Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984). The group was based in the Bedford-Stuyvesant neighborhood of Brooklyn, New York. [1]
[39] [40] Hip hop scholar Michael Eric Dyson stated, "during the golden age of hip hop, from 1987 to 1993, Afrocentric and black nationalist rap were prominent", [41] and critic Scott Thill described the time as "the golden age of hip hop, the late '80s and early '90s when the form most capably fused the militancy of its Black Panther and Watts ...
Def Beat instructs his students to adopt prevalent rap/hip-hop mannerisms of the late 1980s, such as wearing gold chains, sunglasses, expensive sneakers, and track suits, learning the cross-armed hip-hop stance, and recklessly scratching records to the point that one flies off the record player and a classmate gets one embedded in his head.