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The painting depicts Ophelia singing while floating in a river just before she drowns. The scene is described in Act IV, Scene VII of Hamlet in a speech by Queen Gertrude. [1] John Everett Millais in 1865, by Charles Dodgson (Lewis Carroll) The episode depicted is not usually seen onstage, as in Shakespeare's text it exists only in Gertrude's ...
Ophelia is a 1894 oil on canvas painting by the English painter John William Waterhouse, [1] depicting a character in William Shakespeare's drama Hamlet.She is a young noblewoman of Denmark, a potential wife for Prince Hamlet.
Les Grandes Baigneuses, or The Large Bathers, is a painting by Pierre-Auguste Renoir made between 1884 and 1887. The painting is in the Philadelphia Museum of Art, in Philadelphia. [1] [2] The painting depicts a scene of nude women bathing. In the foreground, two women are seated beside the water, and a third is standing in the water near them.
Some scholars believe the painting is meant to represent the nymph Callisto, bathing apart from Diana's entourage. [2] The painting is broadly executed. Art historian Gary Schwartz refers to it as an "oil sketch enlarged to the dimensions of a full-scale painting" and calls it "one of the freshest and most original of Rembrandt's works in oil." [3]
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Summer's Day (or Jour d'eté) is an oil-on-canvas painting by the French Impressionist painter Berthe Morisot, created in 1879. The painting depicts two women seated in a row boat, and was painted in the Bois de Boulogne. It is held at the National Gallery, in London. [1]
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The Lady of Shalott, an 1888 oil-on-canvas painting, is one of John William Waterhouse's most famous works. It depicts a scene from Tennyson's poem in which the poet describes the plight and the predicament of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an ...