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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
Marshall entered into a 15-year distribution deal with British company Rose-Morris during 1965, which gave him the capital to expand his manufacturing operations, though it would prove to be costly. In retrospect, Marshall admitted the Rose-Morris deal was "the biggest mistake I ever made. Rose-Morris hadn't a clue, really.
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers , is credited with delivering "the sound that launched British blues -rock in the mid-1960s."
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Most user guides contain both a written guide and associated images. In the case of computer applications, it is usual to include screenshots of the human-machine interface(s), and hardware manuals often include clear, simplified diagrams. The language used is matched to the intended audience, with jargon kept to a minimum or explained thoroughly.
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Marshall sought the advice of his shop repairman Ken Bran, who recommended electronics "whiz kid" Dudley Craven as the chief circuit designer. Marshall then arranged for Pete Townshend and Ritchie Blackmore demo prototypes to be constructed by Bran and Craven, settling on the sixth prototype as the production model.
The Marshall Time Modulator is an analog delay line-based musical effects device created by Stephen St. Croix that could be used to produce a wide variety of flanging and chorus effects. [ 1 ] [ 2 ] The device was heavily used by the record producer Martin Hannett , who Paul Humphreys has said "used it on everything". [ 3 ]