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The Ruthwell Cross is a stone Anglo-Saxon cross probably dating from the 8th century, [1] when the village of Ruthwell, now in Scotland, was part of the Anglo-Saxon Kingdom of Northumbria. It is the most famous and elaborate Anglo-Saxon monumental sculpture, [ 2 ] and possibly contains the oldest surviving text, predating any manuscripts ...
The Ruthwell Cross. A preaching cross is a Christian cross sometimes surmounting a pulpit, which is erected outdoors to designate a preaching place. In Great Britain and Ireland, many free-standing upright crosses – or high crosses – were erected. Some of these crosses bear figurative or decorative carvings, or inscriptions in runes.
The Ruthwell Cross inscription could also be mentioned, but its authenticity is dubious; it might have been added only in the 10th century. Unlike the situation on the continent, the tradition of runic writing does not disappear in England after Christianization but continues for a full three centuries, disappearing after the Norman conquest.
Captioned as "Fig. 1. The Ruthwell Cross, between 1823 and 1887." Date: published 1912: Source: Cook, Albert S. 1912. The Date of the Ruthwell and Bewcastle Crosses. Yale University Press. Author: Albert S. Cook (1853–1927) Permission (Reusing this file) Author died more than 70 years ago - public domain
The head of the cross is missing but the remains are 14.5 feet (4.4 metres) high, and almost square in section 22 by 21 + 1 ⁄ 4 inches (56 cm × 54 cm) at the base. The crosses of Bewcastle and Ruthwell have been described by the scholar Nikolaus Pevsner as "the greatest achievement of their date in the whole of Europe". [1]
The Des Moines Register in an unprecedented move for transparency has put online our cross tabs our weighting system and my analysis that I’ve not needed to update because it was pretty complete ...
(The Center Square) – While many states expanded and adopted school choice programs in 2024, some advocates are excited about new education options for families in 2025 – made possible because ...
The framing device is the narrator having a dream. In this dream or vision he is speaking to the Cross on which Jesus was crucified. The poem itself is divided up into three separate sections: the first part (lines 1–27), the second part (lines 28–121) and the third part (lines 122–156). [1]