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The Three Oaths is the name for a midrash found in the Babylonian Talmud, and midrash anthologies, that interprets three verses from Song of Solomon as God imposing three oaths upon the world. Two oaths pertain to the Jewish people and a third oath applies to the gentile nations of the world.
The Talmud warns against causing an idolater to take oaths. The commentators living in Christian Germany in the 12th century, called Tosafists, permitted Jews to bring a Christian partner to court in partnership during a breakup even though the Christian would take an oath by God, which to Christians would include Jesus, by saying that so long ...
[2] [3] Barukh ata Adonai Eloheinu, melekh ha`olam, asher kid'shanu b'mitzvotav, al-mitzvat tzitzit. Blessed are You, L ORD our God, King of the universe, Who has sanctified us with His commandments, and commanded us regarding the commandment of fringes.
The history of religious Jewish music is about the cantorial, synagogal, and the Temple music from Biblical to Modern times. The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Mishnah, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
According to the Sefer Yetzirah, the first emanation from the spirit of God was the ruach (רוּחַ rúaħ "spirit", "air") that produced water, which, in its turn, formed the genesis of fire. In the beginning, however, these three substances had only a potential existence, and came into actual being only by means of the three letters ...
From almost the beginning of Reform worship, the music centered around the use of organ and choir. [3] Rather than the paradigm of organ and choir, the new music was composed for acoustic guitar and group singing.” [ 4 ] This new style focused on making the music "simpler, thoroughly democratic in its singability, largely Hebrew, and playable ...
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Jewish liturgical music is characterized by a set of musical modes. The prayer modes form part of what is known as the musical nusach (tradition) of a community, and serve both to identify different types of prayer and to link those prayers to the time of year or even time of day in which they are set.