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Francis agreed with the lyrics and also to sing on the demo, and then went onto record the song which climbed to number two in the UK Singles Chart, [1] and number 1 in the Irish Singles Chart. Stiff Records subsequently signed the choir up and they recorded Clean Heart, a five-track EP of traditional gospel, which also included the single ...
Abide with Me; All Creatures of Our God and King; All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded; All Things Bright and Beautiful; Alleluia! Sing to Jesus; And did those feet in ancient time; Angel Voices, Ever Singing; As with Gladness Men of Old; At the Name of Jesus
O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea.
It uses a popular 1861 melody by William Henry Monk, [2] "Eventide", which is used for several hymns in English, notably the 1847 hymn "Abide with Me" by Henry Francis Lyte. The song has three stanzas of four lines each, from the position of one of the disciples. In the first stanza, the singer addresses the "Wandrer durch die Zeit" (wanderer ...
"Abide with Me, 'Tis Eventide" is a 19th-century American Christian hymn written by Martin Lowrie Hofford (lyrics) and Harrison Millard in 1870 (music). The lyrics and music to the hymn were heavily influenced by the American Civil War .
William Henry Monk (16 March 1823 – 1 March 1889 [1]) was an English organist, Anglican church musician, and music editor who composed popular hymn tunes, including "Eventide", used for the hymn "Abide with Me", and "All Things Bright and Beautiful". He also wrote music for church services and anthems. [1]
The example of ‘Abide with me’ is instructive: intensely personal and contemplative, yet nationally popular—even being sung (always, after its publication in 1861, to W. H. Monk's tune, ‘Eventide’) on secular occasions such as at football matches, and especially, since 1927, at the English cup final."
The stereo version was released nine months after the mono release, in August 1958. [8] It has been noted that the mixes of these releases are extremely different. The stereo mix, while featuring the same performances as does the mono version, used an entirely different set of microphones, suspended from the ceiling, while the mono release used ...