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Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [ 1 ] In the 20th century, the works of Alexander Calder , Ruth Asawa , and other modern practitioners developed the medium of wire sculpture as an art form.
The wire is affixed to a base which is usually made of wood. The artist then begins fleshing out the sculpture by adding wax or clay over the wire. Depending on the material and technique, the armature may be left buried within the sculpture but, if the sculpture is to be hollowed out for firing , it must 1 be removed.
Beading Wire is a stranded stainless steel wire with a nylon coating. It is good to use with abrasive beads. A thinner wire will give an appealing drape to lightweight beads such as gemstone heishe, liquid gold, or liquid silver and bugle or seed beads. A thicker weight wire should be used to accommodate larger, heavier bead strands.
A mould is a reversed impression of a sculpture which is used to cast replica sculptures. The material used to construct the mould needs to accurately reproduce the surface detail of the original sculpture, while also being strong enough to keep its shape during casting and resilient enough to retain detail after multiple castings.
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the ...
Sophie Ryder's galvanised wire sculpture Sitting at the Yorkshire Sculpture Park. Wire was drawn in England from the medieval period. The wire was used to make wool cards and pins, manufactured goods whose import was prohibited by Edward IV in 1463. [5] The first wire mill in Great Britain was established at Tintern in about 1568 by the ...
The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.
Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.