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Victor Vasarely (French: [viktɔʁ vazaʁeli]; born Győző Vásárhelyi, Hungarian: [ˈvaːʃaːrhɛji ˈɟøːzøː]; 9 April 1906 [1] – 15 March 1997) was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader [2] of the Op art movement.
Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Schroeder stairs can be perceived in two ways, depending on whether the viewer considers A or B to be the closer wall. Schroeder stairs (Schröder's stairs) is an optical illusion which is a two-dimensional drawing which may be perceived either as a drawing of a staircase leading from left to right downwards or the same staircase only turned upside down, a classical example of perspective ...
The Moon illusion is an optical illusion in which the Moon appears larger near the horizon than it does while higher up in the sky. Motion aftereffect: Motion illusion: Müller-Lyer illusion: The Müller-Lyer illusion is an optical illusion consisting of a stylized arrow. Multistable perception: Necker cube
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
Penrose triangle. The Penrose triangle, also known as the Penrose tribar, the impossible tribar, [1] or the impossible triangle, [2] is a triangular impossible object, an optical illusion consisting of an object which can be depicted in a perspective drawing.
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
W.E. Hill (January 17, 1887 – December 9, 1962) was an American cartoonist and illustrator active in the first half of the 20th-century. He is best known for his weekly full-page illustration series "Among Us Mortals" published in the New York Tribune from 1916 to 1922, and for creating the most popular iteration of the optical illusion My Wife and My Mother-in-Law (1915).